skjam: Ghost cat in a fez (fez)
Attack of the Giant Leeches (1959) dir. Bernard L. Kowalski

Steve Benton (Ken Clark) is a state game warden in a rural area of Florida not so far from Cape Canaveral. He's checking up on a wild story told by local poacher Lem Sawyer (George Cisar) about a weird looking critter that he shot at and possibly killed, though he didn't bring in the body. Steve is disturbed to find Lem's corpse, which has strange wounds. Sheriff Kovis (Gene Roth) callously decides that it's an alligator attack (despite the wounds not resembling those made by gators) and calls it a day.

Steve consults with local physician and man of science Doc Greyson (Tyler McVey) who agrees that there might be something else in the swamp that attacked Lem. The game warden takes Doc's daughter Nan Greyson (Jan Shepard) out exploring in a boat with him but they don't spot anything out of the ordinary.

Meanwhile, general store owner Dave Walker (Bruno VeSota) is having marital difficulties with his wife Liz Walker (Yvette Vickers). They'd married when Liz was a recent widow (her husband got into lethal difficulties with the police) and she initially appreciated his kindness and relative stability. But Dave's no good looker and not exactly fulfilling in bed. So to no one's surprise but Dave's, she's been fooling around with his best friend Cal Moulton (Michael Emmet).

The naughty couple are making out in the swamp at night only to have Dave stumble across them during a delivery. Understandably infuriated, Dave uses close misses with his gun to drive the betrayers into the water. Just as his temper cools and Dave decides to let them out of the water so that they can discuss things like adults, something horrible grabs Cal and Liz and drags them under. He fires at the giant leech-like thing, but to no avail.

Sheriff Kovis only believes the first half of Dave's story and arrests him for the probable murder of Liz and Cal. There's a small reward posted for the retrieval of the couple's bodies, and two locals, Sam (Joseph Hamilton) and Reed (Dan White) go poking around the gator hollows looking. Dave commits suicide in his cell, and the two old coots go missing.

Over Steve's objection, Doc uses an explosive in the oddly gator-free lake to bring up the bodies of two of the missing. Now it's time to deal with whatever is in the water. But can anyone survive the attack of the giant leeches?

This Corman quickie came in at the tail end of the 1950s monster movie craze. It was shot back-to-back with Night of the Blood Beast and used most of the same crew.

You can tell this was another of the producer's low, low budget film, relying heavily on "night" scenes and heavy shadows to hide how shabby the monster costumes are. The acting is no great shakes, and there manage to be some slow bits even though it's only a little over an hour long.

That said, the monsters are pretty creepy, Yvette Vickers manages to exude some sex appeal, and the sequel hook makes sense. I can see the bones of a much better movie in here. And of course, it's amazing how much movie the Corman brothers were able to get for their buck.

Mostly for Corman completists, and would make a good double feature with another swamp movie.
skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
Key Largo (1948) dir. John Huston

Frank McCloud (Humphrey Bogart) was a major in the United States Army during World War Two. During the Italian campaign, one of his men (and a friend), George Temple, perished in combat. While initially an idealist, the violence of the war left Frank disillusioned, and the America he returned to seems no longer worth defending. Frank's become a drifter, and he decides to visit the Florida Keys to briefly connect with George's people, then try his luck in Key West. His bus to Key Largo is stopped by the police, who are looking for two escaped prisoners, Seminoles called the Osceola Brothers. (It's not mentioned, but note that the darker faces are towards the back of the bus.)

Despite it being summer, the off-season for the Keys due to the sweltering heat, there are residents at the Hotel Largo, allegedly a deep-sea fishing group. Most of them are hostile to Frank, except for drunken horse racing fan Gaye Dawn (Claire Trevor.) They become slightly friendly when they learn that Frank's intention is to talk for an hour or two with hotel owner James Temple (Lionel Barrymore) and George's widow Nora (Lauren Bacall) and then hop the next available bus.

Frank's departure is delayed by helping to prepare for an oncoming hurricane; a group of natives (including the Osceola Brothers (one is Jay Silverheels!)) arrive hoping to take refuge in the sturdy hotel building. Unfortunately, the "fishing expedition" is unwilling to share. The previously unseen "Mr. Brown" turns out to be Johnny Rocco (Edward G. Robinson), a former big-time gangster who'd been deported before the war, and is hoping to make a comeback from his base in Cuba by delivering a "shipment" to local mobsters. He and his minions Curly (Thomas Gomez), Toots (Harry Lewis), Angel (Dan Seymour) and Ralph (William Haade) terrorize the others and hapless deputy sheriff Sawyer (John Rodney) who came back looking for the Osceolas.

With the hurricane closing in and nerves on edge, who will survive?

This 1948 film noir was adapted from a play of the same name, but apparently director John Huston hated the script he'd been assigned, and had it almost completely rewritten, keeping only the location and the escaped prisoners plot element.

The movie is well-directed, and there's some stellar acting on display, not just from our leads but the supporting cast as well. Bogart is believable as the world-weary Frank McCloud, thinking that maybe America will in fact just fall back into Rocco's hands, but not quite ready to completely surrender. Robinson likewise puts in an iconic performance as Johnny Rocco, who was an "emperor" once and is still dangerous on the local level, but not nearly as brave when guns and goons won't turn the trick.

Good attention is also given to lighting effects as the power goes out during the hurricane.

Racism is touched on; the sheriff is only too ready to believe that the Osceola brothers have committed crimes on the word of a white man, which leads to tragedy. (The lesson is quickly minimized by laying the primary blame on evil men.)

The suspense rises and falls, leading to McCloud finally taking decisive action.

Content note: Johnny Rocco is long-term abusive towards Gaye Dawn, which has turned her into an alcoholic wreck, and his goons feel free to slap and bully her as well. Off-screen torture. Ableist language directed at Mr. Temple, who uses a wheelchair. The afore-mentioned racism. Most characters drink alcohol and smoke. General bullying by the gangsters. Blood is only briefly seen.

Overall: One of the greats. Highly recommended to fans of suspense films.

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