skjam: Skyler Sands as a UNIT soldier (Unit)
Serenity (2005) dir. Joss Whedon

This is what we are told: It is around 500 years in the future. Life on Earth That Was became unsustainable, so humanity went looking for new worlds to live on. At least one place they found was a trinary star system with multiple planets and planetoids in its "habitable zone." The so-called "Core Worlds" were easy to terraform and travel between, and they soon developed a unified civilization called the Alliance. The Border, Rim and Frontier Worlds were less hospitable, and developed more independently. Over time, the Alliance, with its greater resources, sought control over the Border Worlds, which opposed becoming junior partners (at best.) Some years ago, this brought on war, called the Unification War by the Alliance, and the Independence War by the Border Worlders who lost.

One of the defeated soldiers (known as "Browncoats") has refused to fit in to the new order. Captain Malcom "Mal" Reynolds (Nathan Fillion) managed to get ownership of a small Firefly-class transport ship, Serenity (named for the Battle of Serenity Valley) and performs transportation and...other services for those who can pay. He and his crew often run afoul of the occupying Alliance, more so since they took on a couple of fugitive passengers.

This was the premise of the 2002 television show Firefly. Helmed by fan-favorite director and writer Joss Whedon and featuring an innovative setting and viewpoint, it could have been a huge hit. But the executives running Fox's programming at the time were much less fond of Whedon than their audience and had little faith in the show. It was given a bad time slot, poorly advertised, aired out of order (the pilot episode was shown last, after the show had already been cancelled!) and cancelled before the halfway point of the first season. Ordinarily it would have joined the scrapheap of failed series that get fondly remembered by a few diehard fans.

But Firefly sold phenomenally well on DVD (with three unaired episodes) and a burgeoning fan community refused to let the show die. Letter-writing campaigns, merchandising, rebid internet interest and fundraisers allowed Whedon to convince enough people at Universal Pictures there was a market for a movie version. Thus Serenity, a sequel to the series.

The movie begins with a standard history voiceover, only to actually be a classroom propaganda lesson, only to actually be a hallucination by psychic/test subject River Tam (Summer Glau) who's being rescued from an Alliance laboratory by her doctor brother Simon Tam (Sean Maher), only to actually be a recording of that event. The person reviewing the recording is The Operative (Chiwetel Ejiofor), who has no name or rank. While previously the Alliance had been tracking down the Tams just because of the whole "escaped from a lab" thing, The Operative has realized she's potentially a danger to the Alliance itself.

Cut to Serenity, where Mal is planning a payroll robbery. His first mate Zoe (Gina Torres) (also a Browncoat), pilot Wash (Alan Tudyk) (Zoe's husband), engineer Kaylee (Jewel Staite) and violence expert Jayne (Adam Baldwin) are more or less on board with this plan, but Simon is not, since Mal wants to take River along because of her sometimes useful psychic abilities. Mal points out that because the ship is carrying fugitives, it's not able to land many places, or accept many honest jobs. The robbery is interrupted by an attack by Reavers (basically monstrous space marauders.) Mal does try to limit the loss of life, but makes hard choices about who and what to save, something Zoe calls him out on.

Simon and River are scheduled to leave the ship right after the payroll is delivered to the client, but a subliminal message broadcast by the Operative triggers River's "kill people switch" right in the middle of a crowded bar.

As the Operative closes in, the crew and passengers of Serenity must reconnect with old friends preacher Shepherd Book (Ron Glass), courtesan Inara (Morena Baccarin) and information broker Mr. Universe (David Krumholtz). They will uncover just what it is that the Alliance wants kept secret, but at a terrible cost.

When I first saw this in the theater, I had not yet seen the DVDs, and indeed had watched at most two episodes of the TV series, but had the plot and in-jokes forcibly inserted into my consciousness by the internet. So I was able to follow along just fine. These many years later, I have seen all the episodes, so the movie hits a bit differently. It's possible to follow the plot perfectly well if you're coming in cold, but much of the emotional resonance won't be there.

Whedon's trademark quippy dialogue hadn't gotten stale yet, and there are many excellent lines. "I aim to misbehave" is still a banger. There's also exciting action scenes.

While River is the fulcrum of the plot, we learn more about her as a plot device than as a person. Mal is the star of this story, and most of the best lines and emotional moments go to him, or to people speaking directly to him. The Operative's goal may be River, but he does all his interaction with Mal. this leaves relatively little time for everyone else, just moments to tie off some subplots.

The Operative is a good choice for the antagonist. He's a "true believer" in the Alliance goal of making the 'Verse better, but also realizes that once the world is better, there will be no place in it for him because of the monstrous actions he's taken to achieve that utopia. It makes his final scene in the movie make sense.

The Reavers were, while the show was airing, one of the big mysteries/complaints as they didn't make sense as a group that simultaneously had a spacefaring capability and a single-minded desire to harm others violently that would seem to make them unable to handle complex tasks. The big reveal in the movie tries to explain how and why they got that way, even if it's a little cloudy on how they continue to exist.

There's a lot of death in this movie, both of minor characters and a couple of major ones; some of these are foreshadowed while others are for shock value. Hope you didn't get too attached to anyone in a Joss Whedon production!

Content: Lots of deadly violence, some gory. Medical torture. Cannibalism (no gorier than the rest of the violence.) Mention of rape. Desecration of corpses.

Overall: Joss Whedon's star has somewhat faded as his more unpleasant behavior has become better reported. As such, some viewers may feel uncomfortable revisiting this franchise. But it is a good movie for Firefly fans, with some excellent performances, and may be of interest to general science fiction fans. Recommended with reservations.
skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
Unlike last year, there were no big surprises on Thursday morning, so I was able to get off to the convention in good order, despite again mistaking which bus goes all the way to the end of the line.

Registration and Harmonic Convergence (the music room) switched locations this year, and since I had my pre-registration card handy, that went smoothly. I never did spend much time in the music room, so I can't say if it sounded better than the previous location.

The first panel I was on was "Diversity in Comics", starring Dwayne McDuffie (perhaps best known to the general public for his work with Static.) Also appearing was M. Nicholas Almand, creator of "Razor Kid." I seized the moderator position (with the permission of the other panelists) and mostly spent my time getting out of Mr. McDuffie's way, as he was clearly the most experienced with trying to get diversity into comics.

I'd also prepared a handout on comics that did diversity well--I hope a few of them got kept. Most of the discussion was nothing new to anyone who's seriously looked at diversity issues in comics, but there were a few people there who hadn't done that yet, and I hope they learned something useful.

Then it was off to the Crowne Plaza so I could register, drop off my clothes, and rush back downstairs for the next shuttle back to the Sheraton. Still frustrated by the fact that you can look directly across the freeway from one to the other, but it's a couple of country miles to actually get there.

The shuttle was somewhat delayed, which was something of a pattern for the next four days. But I still managed to get back in time for the Mark Time Radio Show (a little off this year) and opening ceremonies. The pass-around game was "the Cone of Shame", which those of you who've seen "Up" will recognize.

After that, I attended a panel on "The Horrible Humor of Joss Whedon." Got to see lots of Whedon-related hall costumes.

I made a short round of party rooms and then retired for the evening.

Unlike last year, my hotel room faced the parking lot, and the opaque curtains, unlike the ones at the Sheraton, turned out to be mere decorations, so the light level in the room was a bit much. Turns out I can't sleep wearing a mask, or at least not without being much much more tired, so it was a while before I dropped off.

First panel next morning I attended was "Free Online Games." I got a long list, and plugged "Billy vs. Snakeman."

A bit later, I was on the panel for "Gaming Etiquette." That was a mix of handy tips and horror stories. (When the *player* is using his hand crossbow to make his points, it's a bad thing.)

Then it was time for "Humor in Superhero Comics", which had the presence of Christopher Jones, the creator of ConVergence's mascot Connie, and artist on "Batman Strikes" and "Dr. Blink, Superhero Shrink." Lots of fun discussion of favorite funny bits.

I spent some time at the "Shiny New Anime" panel, but left early as I'd seen most of the clips at the last convention, and I wanted to get autographs from the Cinematic Titanic cast (formerly the MST3K cast.) In line I met a fellow who'd come all the way from northwest Canada specifically for the CT folks, this being his first SF convention ever. We whiled away our wait time by discussing conventions and I told him about some of the fun stuff to do. (Most of which does not require drinking alcohol, but some of which is presumably enhanced by it.)

Next up, it was time for the "Old Time Radio" panel, and the moderator graciously allowed me to open the panel with my prepared "radio announcement" bit. I got applauded for it, which is a nice feeling! One of the panelists had started working as a radio station engineer back in the 1950s, so he had some very interesting stories to tell. Other than that, it was mostly plugging favorite shows, and suggesting places to acquire OTR at least semi-legally.

And my fourth scheduled panel of the day was "Manga & Graphic Novels", where we talked about the differences and similarities of US and Japanese comics. I ranted a bit about the cancellation of Shojo Beat--while admittedly I wasn't always impressed with it, it did fill an important niche in the market.

Last panel attended for the evening was "Fan Fiction", which had as always a number of fanfic authors on it, some of whom have done this panel numerous times. The topic drifted off into slash perhaps a bit too often, but otherwise it was an interesting and informative discussion.

I had almost no time for parties before retiring, and was only halfway through the House of Toast line before I had to bolt for the entrance.

Saturday morning I attended the "Death of Saturday Morning Cartoons" panel. They're not completely dead, but they're in pretty sad shape at the moment, when most stations would rather show infomercials.

Next up, I was on the "Justice League" panel, again starring Mr. McDuffie, and also including Daniel Wallace, who helped write the DC and Marvel Encyclopedias. Naturally, the majority of questions fell to Mr. McDuffie again, and we drifted off into the sad state of the comic book industry overall for quite a while. I was moderator for this one too.

Afterwards, Mr. McDuffie was in the AV room, doing live commentary on a couple of the cartoon episodes he wrote. I'd seen the JLA appearance in Static Shock before, but not the JLU episode "Epilogue." Some tidbits about the former--it was originally pitched as a Teen Titans appearance, but their show wouldn't be airing yet by the time it was scheduled, and as you can imagine, there would have been some serious character design issues. And it wasn't an attempt to boost Static's street cred, but the other way around, since the Static Shock show was the second-highest rated cartoon at the time.

Then off to "Farewell David Tennant", as the panelists reminisced about their favorite Tenth Doctor moments and looked forward to the last few Tennant appearances.

That was followed by "Writing Horror in the Age of Saw." The panelist were mostly horror writers, natch. One thing pointed out was that the literary horror market and movie horror audience are actually not as overlapping as the SF literary and movie audiences. Which causes some difficulty for the horror writers when they attend horror movie conventions. The important thing, panelists agreed, was that you don't need to put in gore if the story doesn't call for it, but you shouldn't skimp on the gore if the story *does* call for it.

And "Silent Movies Worth Your Time", with several suggestions of merit, though it can be awfully hard to find one projected at the proper speed. While in theory the final lost reels of Metropolis have been found, the film stock is in such awful shape that it may not be restorable.

I skipped the Masquerade to check out the Cinema Apocalypse room, which showed "Ip Man", a heavily-fictionalized biography of the man who would eventually teach kung fu to Bruce Lee. It's pretty good, but the version shown did not subtitle the intertitles that gave historical background, so I couldn't spot more than what year the next scene was taking place. (Mind you, "the Japanese invade" was pretty obvious from the action.)

I had just enough time to finally get some toast (and for some reason sushi) from the House of Toast before I needed to be ready for the shuttle bus. Which was then ten minutes late as it had swung by the megamall first. The other passengers were interested by the costumed people hanging out and smoking.

Sunday morning, I packed up and checked out of the Crowne Plaza, and after breakfast in the Consuite went to the anime room to watch the Detective Conan movie. It wasn't too much of a mystery, although one minor recurring character was a red herring. (Behavior very odd for that person.)

I picked up my winnings from the Art Show and Silent Auction (since several items are scheduled as birthday/Christmas presents, I won't talk about them here.) Speaking of the art show, I've said in the past that I don't really buy a plain photograph of a nude woman as SF/fantasy "art." I've come to the conclusion that just slapping a color filter on it (with a "fantasyish" caption) isn't really that much more of a qualification. Having her hold a sword is more of a step in the right direction.

The first panel I managed to drag myself to was "Tieflings are Not a Player Race", an examination of 4th Edition D&D. As you might guess from the title, this was not a completely optimistic panel, though it was admitted that the latest edition is a fine miniatures tactics game. (And as one of the folks in Alarums & Excursions mentioned, it simulates the Voltron Blazing Sword Effect well.)

After that, "Epic Storyline Fatigue", with the encyclopedia writer mentioned above. Please let "Final Crisis" be it for line-wide universe reboot events for a while, okay DC?

I dropped in on "TV Shows on DVD and Blu-Ray", which had a bunch of release dates. Sadly, you should probably stock up now while you still can, as it looks like discs are on their way out to be replaced with digital media.

And finally, my last panel, "What's Wrong With Japan?" As moderator (yes, again, let's face it, I like being moderator), I declared that the title of the panel was incorrect, and it would be "Different and interesting things about Japanese culture" instead. No one got up to leave the room, which I was pleased by. We had several people who'd spent extended periods in Japan, thanks to teaching jobs. (Our token Japanese-American panelist admitted he'd only gone for brief vacations.) After the first general question, "One thing you find interesting about Japan not directly connected to manga or anime", the anecdotes easily filled the time with minimal need for more prompting.

Between all of this, naturally, I spent a lot of time greeting and conversing with old acquaintances, making new ones ("Wait! I know you, you're on the internet!") and people watching. My nephew had managed to get the weekend off at the last moment, and got to see his first SF convention ever--perhaps he'll post about it in his own LJ. (hint, hint :-)

Sadly, the Sheraton itself was not running shuttles to the airport or Mall this year, so I skipped closing ceremonies to be able to catch the bus downtown. Still, I had a grand old time. (Next year, I do need to have a room in the hotel proper or Sofitel.)

And this morning, I went in to have my filling installed. Still can't bite anything until the crown is put in later this month.

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skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
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