skjam: Ghost cat in a fez (fez)
Creature (1985) dir. William Malone

In the not too distant future, a spaceship named Shenandoah is sent by the multinational corporation NTI to Titan, a moon of Saturn, to lay claim to some alien artifacts found there. There's some trepidation by the crew, since the last expedition has no known survivors, and the last sign of them was one crashing their ship into a space station.

Commanding the follow-up expedition is corporate suit David Perkins (Lyman Ward). He's brought along his own security guard, the taciturn Melanie Bryce (Diane Salinger). The rest of the crew is pilot Mike Davison (Stan Ivar), the sensitive Susan Delambre (Marie Laurin), her lover Jon Fennel (Robert Jaffe), biophysicist Dr. Wendy H. Oliver (Annette McCarthy) who is the team medic, and engineer Beth Sladen (Wendy Schaal). Approaching Titan, they spot a ship from rival corporation Richter Dynamics. It's a fair distance from the site of the discovery, so Perkins orders a more direct landing at the correct coordinates.

This is a mistake, as the surface is unstable there, and the Shenandoah is badly damaged when the landing site collapses. There's little choice but to seek help from the Richter party. But when the crew reaches the Richter ship, they find only corpses, and something that seemingly kills Susan before they can get away.

Back at their own ship, the NTI crew meets Hans Rudy Hofner (Klaus Kinski), the last survivor (so he claims) of the Richter expedition. He's eccentric and his ramblings about a creature that killed his crew are hard to take seriously. But there is definitely something out there, and it's not done killing!

This sci fi/horror flick is a pretty direct descendant of Alien, and some of the same special effect crew would go on to work on Aliens after this movie wrapped. The main differentiator is that this alien monster has the ability to puppet its human prey by inserting control organisms into their brains, eventually replacing the brain altogether. This allows it to lure the survivors into danger.

The special effects are decent for the budget; lots of use of darkness and mist effects to obscure the sets. (And cobwebs in space!)

The acting is so-so but Kinski is mostly fun as Hans, who seems turned on by the fact that Bryce isn't into him and could kick his ass if she wanted to.

Unfortunately, my Echo Bridge copy was a poor quality pan and scan transfer.

Eighties oddity: There's still a "West Germany" in the future. (Also, Bryce's personal hair and makeup style look very "eighties butch." She miight be a lesbian?)

Content note: Violence and gore, mutilated corpses. Female nudity under frankly ludicrous circumstances.

Enough different from Alien to be its own thing, but not good enough to escape the similarities.
skjam: Horrific mummy-man. (Neighbors)
The Whisperer in Darkness (2011) dir. Sean Branney

There's severe flooding in Vermont in 1927, and reports of dead things in the water that don't look like anything recognized by standard biologists. Albert Wilmarth (Matt Foyer), a professor of folklore at Miskatonic University, scoffs. After all, the locals are primed to believe in such things by centuries of legends passed down from the natives who originally lived there. He's even recently acquired the original manuscript of a book on the subject all printed copies of which have been lost, but was widely read in its day. Wilmarth gets suckered into a debate with Charles Fort (Andrew Leman), noted collector of unusual event reports, on the subject.

On the night of the debate, Wilmarth is approached by George Akeley (Joe Sofranko), son of Henry Akeley (Barry Lynch), a Vermont farmer and folklorist who's been reporting that strange visitors have been lurking in the area. George has been sent with some new evidence, and after a humiliating performance in the debate, Wilmarth, Fort and members of the Miskatonic faculty view it. Some odd footprints, like oversized deer, a ring of stones, a wax recording of a meeting with the creatures, and photographs. Except that according to George, the things do not show up in photographs except as a vague distortion. (At least not using normal eyesight on the photographs.)

Wilmarth admits this evidence is...interesting, if not conclusive. His colleague Nathaniel Ward (Matt Lagan) warns him not to pursue the matter further, citing his own dangerous encounters with the preternatural.

Akeley's letters become increasingly fearful as he claims the creatures are closing in around his farm. Until one day a completely different letter comes saying that there was never anything to fear, and Wilmarth should come visit Vermont. Oh, and bring along all the evidence so they can have a nice discussion about what really is going on.

Wilmarth agrees and soon is off to remotest Vermont. But what he finds there is beyond his wildest imagination.

This black and white horror film is based on a 1931 novella by H.P. Lovecraft. It's more science fiction oriented than many of his works, as the Fungi from Yuggoth (sometimes known as the Mi-Go) are aliens from space who use advanced technology, rather than "gods" that use magic. However, it still ties into the Cthulhu Mythos. The movie is shot to look like a Universal monster movie from the time period, which works well for this kind of story.

The special effects are well done, and the Vermont location shooting adds to the atmosphere.

Like many Lovecraft stories, the original is very "talky" and slow-moving. This adaptation keeps much of that with some visual variety to keep the audience awake until we reach the horror portion of the story. The last third of the movie is new material as Wilmarth attempts to thwart a plan by local collaborators of the Mi-Go to open a permanent gateway between Earth and Yuggoth (or as modern audiences would call it, Pluto.) There's still a suitably Lovecraftian ending.

The HP Lovecraft Historical Society has done a bang-up job bringing this story to the screen.

Content note: Mutilated corpses, torture, suicide, child death. Between this and the slow nature of the movie, I would not recommend for below late teenage viewers.

Highly recommended for horror fans with patience.

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