skjam: Ghost cat in a fez (fez)
Mark of the Vampire (1935) dir. Tod Browning (also released as "Vampires of Prague")

Czechoslovakia, 1934, near the city of Prague. It is growing dark, but in the inn run by a local fellow (Michael Visaroff), two English travelers want to be on their way. The innkeeper warns that vampires roam these parts at night, Count Mora (Bela Lugosi) and his daughter Luna (Caroll Borland). The travelers scoff, but then the local medico, Dr. Doskil (Donald Meek), returns to his room at the inn, clearly frightened out of his wits, and bearing bat thorn, a plant said to ward off the undead.

The next morning, the servants at the castle of Sir Karell Borotyn (Holmes Herbert) are saddened to learn of the death of their master from his friend Baron Otto (Jean Hersholt). Sir Karell's corpse has neck wounds and has been drained of blood, which leads Dr. Doskil to declare that the death was due to vampire. Inspector Neumann (Lionel Atwill) is a skeptic, and not convinced that vampires are anything other than superstition. Despite Dr. Doskil's resentment at being lumped in with "ignorant peasants", his findings are discarded by the coroner's jury, which brings in a verdict of "Death by Unknown Causes."

Sir Karell's daughter Irena Borotyn (Elizabeth Allen) must postpone her marriage to Fedor Vicente (Henry Wadsworth) and moves in with Baron Otto, who has been appointed her guardian.

A year later, the mandatory mourning is over, and Irena and Fedor reunite at the village, though the castle itself has been abandoned. Soon, there is to be a wedding. But then Fedor blacks out near the castle and wakes up with neck wounds and severe anemia. Irena is attacked as well. Count Mora and Luna have supposedly been sighted in the area. Irena says she was compelled into the open by what she thought was the voice of her father. Inspector Neumann is forced to call in an expert, Professor Zelin (Lionel Barrymore). The professor assures everyone that vampires are very real, and precautions must be taken or Irena will surely be taken.

If you have never seen this movie before and haven't had it spoiled for you, go see it now. Seriously.



SPOILERS beyond this point. You have been warned!

This movie is a remake of the lost horror classic, "London After Midnight" which was also directed by Tod Browning and starred Lon Chaney Sr. Thus it has much the same twist ending. There are, in fact, no vampires. Instead, it's an elaborate hoax to catch Sir Karell's murderer who'd disguised his own deed as a vampire attack.

So now you can rewatch it as a comedy. The "Professor" is just making stuff up when he spouts vampire lore. The doctor is a gullible fool. Bela Lugosi with his deceptively high billing is basically playing himself, an actor dressed as Dracula, but fully committed to the "bit" so staying in character even when no one could possibly be watching. Some of the characters are in on the trick and acting their hearts out, while others are not in on it, and which is which isn't always clear.

I'm told that the movie was edited down from about 80 minutes to 60 for a tighter film, but this does create some lore gaps. There's an "extra" vampire that does nothing but appear in certain scenes just standing or sitting around. Presumably he had action in cut scenes.

The sets are great, and the acting works better once it's clear that you're watching a comedy. The heavy edits do make the film a bit choppy, but it's still a fun watch with a fine cast. Recommended to fans of spooky comedies.
skjam: (gasgun)
The Adventures of Tartu (1943) dir. Harold S. Bucquet

Dateline: London, 1940. The Blitz is on, and recovery crews are working on a damaged hospital. One of the German bombs failed to go off, and Captain Terence Stevenson (Robert Donat) is called on to disarm it. (I got Danger: UXB flashbacks.) This task is complicated by the presence of a little boy patient who can't be moved and the nurse taking care of him. Everyone involved demonstrates the British stiff upper lip. Tense moments later, the bomb is disarmed, but Captain Stevenson is called to Headquarters.

It turns out that our protagonist was in civilian life a chemical engineer, and due to his background is fluent in both Romanian and German. Even though he's not been trained in spycraft, Captain Stevenson turns out to be the man the British need for a desperate mission. It seems they've received information that the Germans are developing a new poison gas in occupied Czechoslovakia. And as it just so happens, a chemical engineer and member of the Romanian Iron Guard, Jan Tartu, has fallen into the hands of the Resistance and died. They've managed to conceal this fact from the Fascists, so the plan is to have our hero impersonate Tartu and infiltrate the Nazi poison gas factory.

Jan Tartu soon pops up at the German consulate in Czechoslovakia, fleeing the Romanian Resistance, and is accepted as a guest worker. He's a foppish lecher who's even more enthusiastic about being a Nazi than the German soldiers. Tartu is assigned Inspector Otto Vogel (Walter Rilla) as his mentor, and billeted at the house of widow Anna Palacek (Phyllis Morris) where Otto has a room. Also in the house is Anna's adult daughter Paula (Glynis Johns), who does forced labor at the artillery shell plant, and the beautiful collaborator Maruschuka Lanova (Valerie Hobson).

Tartu's one contact in the Underground is caught by the Gestapo within moments of their meeting and executed. So he must navigate the task of getting assigned to the poison gas laboratory and contacting the local resistance to help blow it up without an easy entry. Perhaps his charm and cunning will help?

This propaganda film (also known as Sabotage Agent) was designed to raise British morale by depicting their secret agents as heroes while the Nazis are cruel, corruptible and greedy. Robert Donat is clearly having a lot of fun in his dual role as the upright Stevenson and the slimy (yet with a moral core) Tartu. Maruschuka is smoldering as the woman who's playing up to the invaders for a chance to regain her family fortune...and/or get information to the Underground.

Because of the film standards of the time, much of the reality of Nazi occupation has to be softened for the screen. Those denounced are taken away to be executed offscreen, Maruschuka keeps her clothes on during liaisons (a big moment is when she takes off her hat) and there's no mention of extermination of specific groups of people. The poison gas is only described and we never see it in action.

In the last few minutes, his identity as a spy revealed, Tartu/Stevenson gets to be an action hero, punching and shooting Nazis. (It's a bit rushed to finish the movie in a reasonable time limit.) The gas factory has some impressive sets, though I suspect they were mostly painted backdrops.

I was pleased to discover my copy was the British version of the film, which includes a brief scene of Stevenson saying farewell to his mother that was clipped from the American cut.

This is a decent thriller with good casting, even if it's pretty obvious propaganda. Well worth watching if you like your spy stories to have clear good and bad guys.

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