skjam: (gasgun)
The Adventures of Tartu (1943) dir. Harold S. Bucquet

Dateline: London, 1940. The Blitz is on, and recovery crews are working on a damaged hospital. One of the German bombs failed to go off, and Captain Terence Stevenson (Robert Donat) is called on to disarm it. (I got Danger: UXB flashbacks.) This task is complicated by the presence of a little boy patient who can't be moved and the nurse taking care of him. Everyone involved demonstrates the British stiff upper lip. Tense moments later, the bomb is disarmed, but Captain Stevenson is called to Headquarters.

It turns out that our protagonist was in civilian life a chemical engineer, and due to his background is fluent in both Romanian and German. Even though he's not been trained in spycraft, Captain Stevenson turns out to be the man the British need for a desperate mission. It seems they've received information that the Germans are developing a new poison gas in occupied Czechoslovakia. And as it just so happens, a chemical engineer and member of the Romanian Iron Guard, Jan Tartu, has fallen into the hands of the Resistance and died. They've managed to conceal this fact from the Fascists, so the plan is to have our hero impersonate Tartu and infiltrate the Nazi poison gas factory.

Jan Tartu soon pops up at the German consulate in Czechoslovakia, fleeing the Romanian Resistance, and is accepted as a guest worker. He's a foppish lecher who's even more enthusiastic about being a Nazi than the German soldiers. Tartu is assigned Inspector Otto Vogel (Walter Rilla) as his mentor, and billeted at the house of widow Anna Palacek (Phyllis Morris) where Otto has a room. Also in the house is Anna's adult daughter Paula (Glynis Johns), who does forced labor at the artillery shell plant, and the beautiful collaborator Maruschuka Lanova (Valerie Hobson).

Tartu's one contact in the Underground is caught by the Gestapo within moments of their meeting and executed. So he must navigate the task of getting assigned to the poison gas laboratory and contacting the local resistance to help blow it up without an easy entry. Perhaps his charm and cunning will help?

This propaganda film (also known as Sabotage Agent) was designed to raise British morale by depicting their secret agents as heroes while the Nazis are cruel, corruptible and greedy. Robert Donat is clearly having a lot of fun in his dual role as the upright Stevenson and the slimy (yet with a moral core) Tartu. Maruschuka is smoldering as the woman who's playing up to the invaders for a chance to regain her family fortune...and/or get information to the Underground.

Because of the film standards of the time, much of the reality of Nazi occupation has to be softened for the screen. Those denounced are taken away to be executed offscreen, Maruschuka keeps her clothes on during liaisons (a big moment is when she takes off her hat) and there's no mention of extermination of specific groups of people. The poison gas is only described and we never see it in action.

In the last few minutes, his identity as a spy revealed, Tartu/Stevenson gets to be an action hero, punching and shooting Nazis. (It's a bit rushed to finish the movie in a reasonable time limit.) The gas factory has some impressive sets, though I suspect they were mostly painted backdrops.

I was pleased to discover my copy was the British version of the film, which includes a brief scene of Stevenson saying farewell to his mother that was clipped from the American cut.

This is a decent thriller with good casting, even if it's pretty obvious propaganda. Well worth watching if you like your spy stories to have clear good and bad guys.
skjam: Skyler Sands as a UNIT soldier (Unit)
The Great Escape (1963) dir. John Sturges

During World War Two, the Germans captured quite a few enemy soldiers, primarily aviators who'd been shot down or crashed. The Allied prisoners considered it their first duty to escape from captivity, and several of them caused enough headaches that the Luftwaffe built a new prison camp, Stalag Luft III, to transfer the escape artists and other annoyances to, a special camp built to be escape-proof. Naturally, just because you tell British, Commonwealth and American soldiers that a prison is inescapable doesn't mean they'll just give up. They soon planned the biggest escape attempt of the war. This movie is a fictionalized version of that event, The Great Escape.

Camp Commandant Von Luger (Hannes Messemer) warns senior British officer Ramsey (John Donald) of the new conditions and urges him to get his men to sit tight for the rest of the war, as Von Luger would like to avoid killing the prisoners, who as fellow military men he respects. Ramsey has a severe limp, so knows that he personally won't be involved in any escape attempt, but he's certainly not going to tell his fellow prisoners to fail their duty.

Because this stalag has been designated as the place to send the most incorrigible escape risks, the Germans have as a side effect created an all-star escape team. Leader "Big X" Bartlett (Richard Attenborough), Scrounger Hendley (James Garner), tunnel king Danny (Charles Bronson), forger Blythe (Donald Pleasance), manufacturer Sedgwick (James Coburn), dispersal expert Ashley-Pitt (David McCallum) and other experts. Plus wild card loose cannon Captain Hilts (Steve McQueen) who soon becomes known as the "Cooler King" for being thrown in isolation so often.

From the moment they arrive, the various prisoners start assessing the prison's defenses, potential blind spots and geology. A couple of improvised attempts at escape are shortly quashed. It's quickly decided that tunnels are the best option, so three are begun. Almost everyone is on board with the plan, but Hilts is more concerned with getting himself (and maybe one other person) out than the insane idea of getting oh, say, 250 prisoners to escape at the same time.

Eventually, Hilts realizes he's being a bit too selfish, and starts cooperating. At last the escape happens, and seventy-six prisoners manage to get outside the camp. The remainder of the film follows their attempts to remain free.

While Steve McQueen is top-billed (and his character was made American for box-office purposes; in real life the Americans had been moved to another stalag before the escape happened), the rest of the cast is also strong and many of them get their own moments to shine. It helps that many of them had their own military experience to draw on. Donald Pleasance had even spent time in a German POW camp, while some of the German actors had been in Russian or American camps.

As part of his contract negotiations for the part of Hilts, Mr. McQueen insisted on being able to show off his motorcycle skills, and does all of his own riding (and a couple of other characters') except the big jump stunt. This makes for some exciting riding scenes, even if that part is entirely fictional.

Set design is excellent (and if it looks too clean/nice, remember that British and American POWs were actually treated according to the Geneva Convention most of the time.) There's some lovely German scenery in the last third of the movie as the escapees spread out across Germany. Oh, and the jaunty theme tune is a classic.

Content note: Several people are shot dead, very little blood. One of these scenes is a war crime by the Gestapo (who are villainous Nazis compared to the relatively honorable Luftwaffe.) Fisticuffs. A character commits suicide by guard. Danny has a severe meltdown due to his claustrophobia. Younger or more sensitive viewers may need parental guidance.

Overall: This is deservedly one of the favorite movies of many film fans. Yes, the historical accuracy suffers a bit to include Steve McQueen's character, but the story is well-told enough to forgive this. Highly recommended to war movie and Steve McQueen fans.
skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
Inglourious Basterds (2009) dir. Quentin Tarantino

In 1941 France, SS officer Hans Landa (Christoph Waltz), already known as "The Jew-Hunter", ferrets out a hidden family, killing most of them, but decides to let Shosanna (Mélanie Laurent) the almost-adult daughter to outrun him to, perhaps, have the pleasure of hunting her down again later.

About four years later, a small unit led by Lieutenant Aldo Raine (Brad Pitt) is parachuted into France some months before the D-Day landings. Their mission? "Kill Nat-zees." As a guerilla unit, the plan is for them to spread terror among the German troops by killing them in especially brutal ways, scalping corpses and permanently scarring one survivor per battle to spread the word.

Meanwhile in Paris, Shosanna is going by the name "Emanuelle" and running a movie theater with the aid of black projectionist Marcel (Jacky Ido). One of the patrons is Fredrick Zoller (Daniel Brühl), a photogenic German sniper who'd become a war hero by holding off an American division in Italy. Needing every propaganda victory he can get, Joseph Goebbels (Sylvester Groth) cast Zoller as himself in the movie Nation's Pride which is to premiere in Paris. Smitten with Emanuelle, Zoller insists on having the premiere at her cinema. Shosanna is less than thrilled with Zoller's attentions, but there's not much she can do to protest without attracting dangerous attention.

A double agent within the German film industry alerts the Allies of the upcoming film premiere, which will have many high-ranking German government officials and military officers in attendance. This is a tempting target, and the British have the perfect agent, Lieutenant Charlie Hicox (Michael Fassbender)--fluent in German and an expert on German cinema so he can pass as the sort of person a popular actress, Bridget von Hammersmark (Diane Kruger) would have on her arm at a red-carpet event. The Bastards are chosen as the muscle to back him up.

Problem! The chief of security for the premiere is now-Major Hans Landa, who is something of a master detective. Plus, the commandos don't know that another plan is simultaneously taking place that might conflict with their own. But if this mission can be pulled off, it could change the course of the war!

This movie has an odd title, perhaps so as not to step too close to one of its inspirations, 1973 movie Inglorious Bastards. It's oddly structured, too. I understand it was cut to two and a half hours from a six-hour miniseries by stripping out anything that wasn't necessary for the main plot.

There is, of course, some lovely violence, but Mr. Waltz delivers some tense quiet scenes as well, first talking with the farmer that's hiding Shosanna's family, and later with the disguised Shosanna herself. Is he on to her, or is he just suspicious as part of his security job? And then there's the reveal of his master plan.

The cinematography is good, and I liked all the references to classic war movies. I just hope you weren't expecting the Bastards to be the focus characters, because they spend a lot of time offscreen. Also, this is a war movie, so don't get too attached to any one character.

Content note: Lots of gory violence, often fatal. Torture and mutilation. Racism and anti-Semitism. Zoller does not take "no" for an answer from women. A bit of onscreen sex. Some rough language.

Overall: I can see why this is some folks' favorite Tarantino film. It's got a lot of good bits. But it didn't quite hold together for me. Recommended to fans of violent war movies.

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