skjam: Skyler Sands as a UNIT soldier (Unit)
Lord of War (2005) dir. Andrew Niccol

Yuri Orlov (Nicolas Cage) is not the protagonist's real name. He is a Ukranian immigrant (as a child) who grew up in a rough neighborhood infested with gangsters. On day he witnessed a mob hit, and came to the realization that he could make steady money selling weapons to people. But not just a legitimate gun shop, no, the real money was in illegal arms dealing. After his first successful deal, Yuri brought his brother Vitaly (Jared Leto) in as a partner.

Yuri's got hustle, a distinct lack of moral qualms, and some amazing luck, so his business prospers. He attempts to connect with a more established gunrunner, Simeon Weisz (Ian Holm), but the older man is "respectable" and sees Yuri as too chaotic to be trusted. that doesn't stop Yuri from rising in the trade and becoming quite wealthy, despite Vitaly developing drug addiction, and Yuri attracting the personal attention of government agent Jack Valentine (Ethan Hawke). Yuri's even able to marry the hot model of his boyhood dreams, Ava Fontaine (Bridget Moynahan).

But a life of crime, however lucrative, has its price, and Yuri can't avoid payments forever.

This early 21st Century movie is based on actual events, with enough changed to avoid lawsuits or charges of espionage. Much of the story is darkly comic as Yuri's narration is witty and sometimes contrasts what's happening on screen in a humorous manner. But there's also an uncomfortable undertone and some pointed political commentary. It's pointed out that the United States government itself is the world's largest arms dealer, and too often just as willing to get in bed with the worst dictators as Yuri is. Andre Baptiste Senior (Eamonn Walker), a particularly repulsive warlord (though he says it "lord of war", giving us the title), specifically points to the 2000 Supreme Court decision that handed the presidency to George W. Bush as proving that U.S. elections are just as crooked as the ones he holds.

The soundtrack selection is impressive and works well. Nicolas Cage's slightly off acting style makes Yuri a chilling character when you dig beneath the surface. His few boundaries are based around what is best for him staying in business, rather than any form of ethics. At the end of the movie, while Yuri walks free from legal punishment, he's lost everything he wanted in life except his career in arms dealing.

Content note: Lots of gun and other violence, often gory and lethal. We see the results of maiming injuries. Child death. Mention of rape. On-screen extramarital sex and nudity (no genitals), Yuri cheats on his wife. Prostitution. Discussion of racism. Alcohol and drug abuse. A boatload of rough language. This is a hard "R."

This movie is a fascinating but disturbing look at an area of history many people don't want to be reminded of. The politics may be offensive to some viewers. If you've got a strong stomach for this sort of thing and are willing to accept that fictionalization has somewhat distorted the picture, Lord of War is worth seeing...once.
skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
Inglourious Basterds (2009) dir. Quentin Tarantino

In 1941 France, SS officer Hans Landa (Christoph Waltz), already known as "The Jew-Hunter", ferrets out a hidden family, killing most of them, but decides to let Shosanna (Mélanie Laurent) the almost-adult daughter to outrun him to, perhaps, have the pleasure of hunting her down again later.

About four years later, a small unit led by Lieutenant Aldo Raine (Brad Pitt) is parachuted into France some months before the D-Day landings. Their mission? "Kill Nat-zees." As a guerilla unit, the plan is for them to spread terror among the German troops by killing them in especially brutal ways, scalping corpses and permanently scarring one survivor per battle to spread the word.

Meanwhile in Paris, Shosanna is going by the name "Emanuelle" and running a movie theater with the aid of black projectionist Marcel (Jacky Ido). One of the patrons is Fredrick Zoller (Daniel Brühl), a photogenic German sniper who'd become a war hero by holding off an American division in Italy. Needing every propaganda victory he can get, Joseph Goebbels (Sylvester Groth) cast Zoller as himself in the movie Nation's Pride which is to premiere in Paris. Smitten with Emanuelle, Zoller insists on having the premiere at her cinema. Shosanna is less than thrilled with Zoller's attentions, but there's not much she can do to protest without attracting dangerous attention.

A double agent within the German film industry alerts the Allies of the upcoming film premiere, which will have many high-ranking German government officials and military officers in attendance. This is a tempting target, and the British have the perfect agent, Lieutenant Charlie Hicox (Michael Fassbender)--fluent in German and an expert on German cinema so he can pass as the sort of person a popular actress, Bridget von Hammersmark (Diane Kruger) would have on her arm at a red-carpet event. The Bastards are chosen as the muscle to back him up.

Problem! The chief of security for the premiere is now-Major Hans Landa, who is something of a master detective. Plus, the commandos don't know that another plan is simultaneously taking place that might conflict with their own. But if this mission can be pulled off, it could change the course of the war!

This movie has an odd title, perhaps so as not to step too close to one of its inspirations, 1973 movie Inglorious Bastards. It's oddly structured, too. I understand it was cut to two and a half hours from a six-hour miniseries by stripping out anything that wasn't necessary for the main plot.

There is, of course, some lovely violence, but Mr. Waltz delivers some tense quiet scenes as well, first talking with the farmer that's hiding Shosanna's family, and later with the disguised Shosanna herself. Is he on to her, or is he just suspicious as part of his security job? And then there's the reveal of his master plan.

The cinematography is good, and I liked all the references to classic war movies. I just hope you weren't expecting the Bastards to be the focus characters, because they spend a lot of time offscreen. Also, this is a war movie, so don't get too attached to any one character.

Content note: Lots of gory violence, often fatal. Torture and mutilation. Racism and anti-Semitism. Zoller does not take "no" for an answer from women. A bit of onscreen sex. Some rough language.

Overall: I can see why this is some folks' favorite Tarantino film. It's got a lot of good bits. But it didn't quite hold together for me. Recommended to fans of violent war movies.
skjam: (professional)
Hi folks!

This time we're looking at what Goodreads recommends based on my "military & war" shelf. Here I put both factual works and fiction about weaponry, armed forces and mass combat. So there's a mix of history, science fiction, war novels and other oddities. Let's see how many of the suggestions would also go on the shelf!

Armor by John Steakley

Battle Angel Alita, Volume 1: Rusty Angel by Yukito Kishiro
The Big Time/The Mind Spiders and Other Stories by Fritz Leiber
Blame!, Vol. 1 by Tsutomu Nihei
Blind Lake by Robert Charles Wilson

Castle Perilous by John DeChancie
Child of Fire by Harry Connolly

La Dame aux Camelias by Alexandre Dumas-fils
The Door Within by Wayne Thomas Batson
Downward to the Earth by Robert Silverberg
Dreamsnake by Vonda N. McIntyre
A Drunken Dream and Other Stories by Moto Hagio
Duncan's War by Douglas Bond

Firefox by Craig Thomas
A Fire Upon the Deep by Vernor Vinge
The Fortune of the Rougons by Emile Zola
The 42nd Parallel by John Dos Passos
From Here to Eternity by James Jones

Gateway by Frederik Pohl
Ghost in the Shell by Masamune Shirow

Hard Spell by Justin Gustainis
The Hungry Moon by Ramsey Campbell

The Incompleat Enchanter by L. Sprague de Camp
The Ipcress File by Len Deighton
It Was the War of the Trenches by Jacques Tardi

Kingdom's Dawn by Chuck Black
The Last Kingdom by Bernard Cornwell

Leviathan Wakes by James S.A. Corey

The Midwich Cuckoos by John Wyndham
Misspent Youth by Peter F. Hamilton
The Mortification of Sin by John Owen

Night of the Fox by Jack Higgins

Of Men and Monsters by William Tenn
On Basilisk Station by David Weber
Our Lady of Darkness by Fritz Leiber

The Princess and the Goblin by George MacDonald

A Question of Upbringing by Anthony Powell

The Rare Jewel of Christian Contentment by Jeremiah Burroughs
Rasetsu, Vol. 1 by Chika Shiomi
Rogue Moon by Algis Budrys
Run Silent, Run Deep by Edward L. Beach

Saturn Apartments, Vol. 1 by Hisae Iwaoka
The Secret World Chronicle by Mercedes Lackey
The Story of Saiunkoku, Vol. 1 byKairi Yura

The Trouble Twisters by Poul Anderson
2001: A Space Odyssey by Arthur C. Clarke

Under the Eagle by Simon Scarrow

The Year's Best Science Fiction: First Annual Collection by Gardner R. Dozois
Young Lonigan by James T. Farrell

Zuleika Dobson by Max Beerbohm

As always, please let me know if you've read any of these, heard interesting buzz or have other military & war suggestions.

Also, please visit my blog SKJAM! Reviews at http://www.skjam.com to see what I've actually been reading.

SKJAM!

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