skjam: Horrific mummy-man. (Neighbors)
The Cabinet of Dr. Caligari (1920) dir. Robert Wiene

The frame story begins with Franciz (Friedrich Feher) having just been told by another man (Hans Lanser-Ludloff) about the supernatural events that drove him from his home. Franciz replies that the events he and his fiancée Jane Olsen (Lil Dagover) experienced were even more chilling. We then flash back to the announcement of a fair in the city where Franciz and Jane then lived. Their friend Alan (Hans Heinrich von Twardowski) sees an ad for the fair and asks Franciz to come with him. Despite their both being in love with Jane, the two are still good friends.

Meanwhile, a mountebank calling himself Doctor Caligari (Werner Krauss) tries to get a license to perform at the fair. The Town Clerk does allow this, but not before he's very rude to the applicant. By what I am sure is a total coincidence, the Town Clerk is murdered that very night.

Alan and Franciz go to the fair and visit Dr. Caligari's concession. The act turns out to be the supposed doctor displaying a "somnambulist" he calls Cesare (Conrad Veidt) who he awakens from deep sleep. Caligari claims that Cesare has supernatural knowledge of the future. When Alan foolishly enquires how long he will live, Cesare tells Alan he will be dead by dawn.

When Alan is murdered that night, Franciz' logical first suspect is Cesare. But is that really the case?

This 1920 silent German film is one of the most famous movies ever made, and even if you haven't seen it, you've probably heard of it if you have an interest in film history, horror, or German Expressionism. The last is most obvious in the nightmarish set design.

Conrad Veidt is chilling as Cesare, the sleepwalking killer, scrambling over the rooftops on his deadly mission. And within context, Dr. Caligari makes a very sinister figure.

There's a couple of nice touches. An unrelated criminal attacks an old woman in hopes that his murder will be mistakenly credited to the mysterious previous ones. And Dr. Caligari has a "lifelike" dummy of Cesare that he puts in the cabinet while the somnambulist is away to create an alibi.

The title card says that this is a retelling of an 11th Century legend, though that legend itself is made up for the movie--and then there's the infamous twist ending that turns most of what we've learned on its head.

It does have to be remembered that this movie is still quite early in the history of films, and silent, so the acting can come off artificial and stiff, and the lighting is sometimes dubious. The set design actually helps by being so weird that the viewer might not feel the need to nitpick details so much.

Content note: Murder, naturally, though the actual deed is suggested by shadow, not directly shown. Some period depiction of mental illness that may come off badly to modern viewers. Older teens should be fine; younger viewers may not be ready for the conventions of silent film.

This is one of those movies that's more important than good, but it's good enough that it's worth seeing for any fan of horror or film history buff.
skjam: Skyler Sands as a UNIT soldier (Unit)
The Great Escape (1963) dir. John Sturges

During World War Two, the Germans captured quite a few enemy soldiers, primarily aviators who'd been shot down or crashed. The Allied prisoners considered it their first duty to escape from captivity, and several of them caused enough headaches that the Luftwaffe built a new prison camp, Stalag Luft III, to transfer the escape artists and other annoyances to, a special camp built to be escape-proof. Naturally, just because you tell British, Commonwealth and American soldiers that a prison is inescapable doesn't mean they'll just give up. They soon planned the biggest escape attempt of the war. This movie is a fictionalized version of that event, The Great Escape.

Camp Commandant Von Luger (Hannes Messemer) warns senior British officer Ramsey (John Donald) of the new conditions and urges him to get his men to sit tight for the rest of the war, as Von Luger would like to avoid killing the prisoners, who as fellow military men he respects. Ramsey has a severe limp, so knows that he personally won't be involved in any escape attempt, but he's certainly not going to tell his fellow prisoners to fail their duty.

Because this stalag has been designated as the place to send the most incorrigible escape risks, the Germans have as a side effect created an all-star escape team. Leader "Big X" Bartlett (Richard Attenborough), Scrounger Hendley (James Garner), tunnel king Danny (Charles Bronson), forger Blythe (Donald Pleasance), manufacturer Sedgwick (James Coburn), dispersal expert Ashley-Pitt (David McCallum) and other experts. Plus wild card loose cannon Captain Hilts (Steve McQueen) who soon becomes known as the "Cooler King" for being thrown in isolation so often.

From the moment they arrive, the various prisoners start assessing the prison's defenses, potential blind spots and geology. A couple of improvised attempts at escape are shortly quashed. It's quickly decided that tunnels are the best option, so three are begun. Almost everyone is on board with the plan, but Hilts is more concerned with getting himself (and maybe one other person) out than the insane idea of getting oh, say, 250 prisoners to escape at the same time.

Eventually, Hilts realizes he's being a bit too selfish, and starts cooperating. At last the escape happens, and seventy-six prisoners manage to get outside the camp. The remainder of the film follows their attempts to remain free.

While Steve McQueen is top-billed (and his character was made American for box-office purposes; in real life the Americans had been moved to another stalag before the escape happened), the rest of the cast is also strong and many of them get their own moments to shine. It helps that many of them had their own military experience to draw on. Donald Pleasance had even spent time in a German POW camp, while some of the German actors had been in Russian or American camps.

As part of his contract negotiations for the part of Hilts, Mr. McQueen insisted on being able to show off his motorcycle skills, and does all of his own riding (and a couple of other characters') except the big jump stunt. This makes for some exciting riding scenes, even if that part is entirely fictional.

Set design is excellent (and if it looks too clean/nice, remember that British and American POWs were actually treated according to the Geneva Convention most of the time.) There's some lovely German scenery in the last third of the movie as the escapees spread out across Germany. Oh, and the jaunty theme tune is a classic.

Content note: Several people are shot dead, very little blood. One of these scenes is a war crime by the Gestapo (who are villainous Nazis compared to the relatively honorable Luftwaffe.) Fisticuffs. A character commits suicide by guard. Danny has a severe meltdown due to his claustrophobia. Younger or more sensitive viewers may need parental guidance.

Overall: This is deservedly one of the favorite movies of many film fans. Yes, the historical accuracy suffers a bit to include Steve McQueen's character, but the story is well-told enough to forgive this. Highly recommended to war movie and Steve McQueen fans.

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