skjam: (Imnanna)
Snow White and the Seven Dwarfs (1937) dir. William Cottrel

Once upon a time, a princess was born with hair of raven black, lips red as blood, and skin as white as snow. Her mother named her Snow White, but soon died. The king's second wife was a beautiful woman, but as vain as she was fair of face. It was not long before she was a widow. She despised her stepdaughter and treated her as a servant. Snow White took this in good grace, but longed for a loved one to take her away. Things became more tense as the maiden grew into her true beauty.

The queen's magic mirror alerts her that Snow White has now surpassed her in "fairness", so the queen orders her huntsman to take the girl out into the woods, kill her and bring the queen her heart. The huntsman almost does so, but cannot bring himself to commit murder of the innocent maiden. He warns Snow White of the queen's intentions and slaughters a pig for its heart instead. Snow White flees into the deep forest.

Snow White finds a cottage inhabited by seven dwarfs, and negotiates lodging with them. But what will happen when the queen finds out her stepdaughter is still alive?

This film, based on the Grimm Brothers version of the classic fairy tale, was the first full-length animated film produced in the United States. It was a huge gamble for the minor Disney studio which had previously only done short subjects. Many innovative techniques were used, and it did splendidly at the box office, assuring that other animated feature films would be made.

To be sure, there are places that the technical limitations of the time can be seen, particularly in the animation of more realistic humans. (This is one of the reasons Prince Buckethead has such a tiny part despite his importance in the story.)

But given those limitations, the movie still holds up well. We've barely met Snow White when the huntsman is ordered to kill her, and we already want her not to be harmed. (And since we never see the huntsman after he takes the pig's heart back to the queen, there's the nagging doubt that he was killed offscreen. She's clearly murdered at least one person previously.)

The Wicked Queen is scary, both before and after she transforms herself, allowing her jealousy of Snow White to override even her overwhelming vanity. And in a cruel irony, she leaves the world in an old, ugly form, food for vultures, while Snow White's beauty was preserved in even seeming death.

The seven dwarfs are funny and likable, though there are a lot of questions that one could raise about their backstory. They have cleaning implements and soap in their house but don't seem to have used them themselves. Did they have a housekeeper previously? And despite their isolation, they know the kingdom's gossip about the queen. Who do they trade with? Some of the jokes don't land, but there's plenty that do.

Content note: As indicated in the plot synopsis, the Queen tries to have Snow White murdered, and then attempts the job herself. She's even willing to have the princess buried alive! Deaths are tastefully off-screen, but parents or guardians should be with very young viewers the first time they see this movie.

Overall, one of the all-time classic animated films from back when Disney was the feisty underdog. Well worth watching again, and having in your permanent collection if you have children or grandchildren.
skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
Beauty and the Beast (1991) dir. Gary Trousdale

Once upon a time, there was an enchantress who went to an eleven year old boy's house in disguise. When he refused to let her in because her disguise was ugly, she punished his rudeness by turning him into a beast, and everyone else in his house into "inanimate" objects. But the curse didn't have to b e permanent. If the Beast could find someone he could love and they loved him back by the time an enchanted rose lost its last petal on his twenty-first birthday, the enchantment would be lifted.

Of course, being a monster on the outside made it very unlikely the Beast would ever find love, and as the years passed he sealed himself off from the world and his behavior became more and more beastlike, especially his terrible temper. The outside world forgot that he even existed. For his servants, trapped in the castle with him, all seemed lost.

But a couple of hours away by fast walk, there was a village, and almost ten years later, a wacky inventor, Maurice, and his beautiful daughter Belle had moved there. Belle felt stifled in the provincial village where she was the only literate woman and considered an oddity because of that. But leading citizen Gaston, most handsome and virile fellow in the village, was willing to overlook Belle's brain on account of her beauty, and made attempts to woo her.

Maurice made a wrong turn in the dark and wound up in the Beast's castle, where the Beast kept him prisoner. Belle came and offered herself as hostage in exchange for her aged and ill father. Secretly touched by this filial loyalty, the Beast agreed. And thus began the tale of the Beauty and the Beast.

This was a huge hit for Disney back in the early 1990s, and was nominated for Best Picture at the Oscars. It is a very good movie with stunning animation for the time, some excellent songs, good performances by the voice actors (I am especially fond of Angela Lansbury as Mrs. Potts,) and a cool character design for the Beast.

The central relationship relies heavily on our understanding of condensed action; there's only ninety minutes to tell the story, so Beast's learning to control his temper and show his finer qualities, and Belle's realization that there is a person she can love under that monstrous exterior, have to happen in a tiny amount of time. Beast's early unspoken moment where he realizes Belle is sacrificing herself and honors that is key to showing that he's not lost to monsterhood. Kids might want to avoid trying to cure a monster this way at home.

Gaston, conversely, is admired by the public not just because of his good looks, but fulfilling the role of the mighty hunter and strong man that are considered heroic in that time and place. His arrogance and slyness are not considered drawbacks by the villagers, as long as he's a winner. But to modern eyes, he's pretty obviously a villain because of his anti-intellectualism and vindictiveness.

One does have to wonder about events after the movie, when the villagers suddenly have a prince who presumably holds authority over them, and who they were recently trying to kill. How are the other nobles going to react? Not to mention that weirdo Belle is now the princess. And can the other village men step up on the hunting front?

Like many of the Disney animated movies, this is a classic and well worth gathering the family to watch. The littlest ones should not watch alone the first time as there are some scary and sad bits.

Good News!

Mar. 9th, 2010 09:19 pm
skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
My hotel reservation for ConVergence has finally come through, so barring some major recanting on the part of the hotel or the concom, I will be able to control my own timeline at the convention.

Speaking of which, ConVergence Programming has started taking requests for seating on possible panels. These are the ones I've penciled in as wanting to be on (as opposed to just attending.)

* Villains of Anime and Manga
* Gunsmoke and Bloodshed: Dark Heroes of the Pulps
(I suggested both these panels in the first place, so it was kind of mandatory that I sign up to help make them happen.)
* Disney Villains
* Giant Atomic Monsters
* Villains in Role-Playing Games
* Behind the Sofa: Villains of Doctor Who
* The Pulps
* Current Popular Manga
* Bring Me Up To Speed (a comics panel)
* Old Time Radio

I might sign up for more when the "on the bubble" list comes out.

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