skjam: Horrific mummy-man. (Neighbors)
Ghostbusters 2 (1989) dir. Ivan Reitman

It has been five years since the Ghostbusters saved New York City, and by extension the world, from the threat of Gozer the Gozerian. Due to the massive destruction caused by their struggle, the team was sued by multiple government agencies for the damage. At the same time, a drastic drop in paranormal activity allowed rumors spread by a certain hostile government agent that the Ghostbusters had actually used hallucinogens and special effects to create fake ghosts to defraud the public. Their small company was forced into bankruptcy and they were put under a restraining order preventing them from working as paranormal investigators.

Ray (Dan Ackroyd) runs a small bookshop and appears at children's parties with Winston (Ernie Hudson) (who apparently has no other income) in their old Ghostbuster outfits. But even the children have moved on, preferring He-Man as a cultural reference. Peter (Bill Murray) hosts a cable access show on the paranormal, but due to his reputation can't get the good guests. Egon (Harold Ramis) has done all right for himself, landing a research position at Columbia University studying whether human emotions have an effect on the environment.

Dana (Sigourney Weaver) broke up with Peter over his refusal to commit to the relationship, then married a fellow musician. But when that man got a lucrative job offer in Britain, he divorced Dana and moved, so that she is raising their baby Oscar (William and Henry Deutschendorf) alone. To have more time with her child, she took a temporary jub doing painting restoration at an art museum. Her boss, Dr. Janosz Poha (Peter MacNicol) has been hitting on her when not obsessing over his latest acquisition, a painting of alleged dictator and black magician Vigo the Carpathian (body by Wilhelm von Homburg, voice by Max von Sydow).

Once again, it's Dana who first notices that something eerie is going on when Oscar's baby carriage rolls off by itself and strolls right into the middle of the street. She contacts Egon to check into the matter, and specifically asks that Peter not be told. Peter of course finds out and invites himself along on the investigation to try and rekindle his relationship with Dana. He's still a sleaze so that part doesn't go so well, but he does start to bond with Oscar.

The former Ghostbusters (sans Winston at this point) investigate the street, and accidentally cause a blackout in the process of finding an abandoned tunnel with psychoactive slime running through it. This gets them arrested, but ghosts showing up in the courtroom gets the judge convinced to lift the restraining order.

This and a sudden rise in ghost activity needing busting allows our heroes to be back in action and again the toast of the town. Meanwhile, Janosz has become dominated by the spirit of Vigo, which is using the portrait as a channel to the living world. Vigo needs a human infant to possess at the stroke of midnight New Year's Eve to begin his comeback to rule the world. Janosz has just the baby in mind so that he can compel Dana to be his wife.

Things are about to become very bad indeed, for the slime is supercharged with negative emotions from 1980s New York City, and Vigo draws strength from that.

While the first Ghostbusters movie had been very successful, some of the people who'd be needed to make a sequel had a falling out, and schedule conflicts arose, so it took five years before this movie was made.

Good: Some great jokes, excellent special effects, guest appearance by the Statue of Liberty.

Less good: This movie's plot structure is eerily similar to the first one's, with many repeated story beats. The characters and situations are reset to very near the beginning of the first movie, so in a way this one ends with very little progress. (A notable exception is Dr. Venkman, who no longer hits on any woman that crosses his path. He's solely interested in getting back with Dana, even if he can't quite understand what he did to lose her in the first place. While he has to start at zero in that relationship again, at least we're not seeing him being a horndog to other women.)

Also, poor Winston is underused again.

It's notable that the success of the cartoon spinoff The Real Ghostbusters fed back into this movie. Mascot character Slimer (Ivan Reitman) appears even if he isn't properly explained, and in an effort to be more kid-friendly, the characters have cut way back on smoking and the sex talk.

Content note: baby in peril, Dana is seen in a bra and later in a towel, a bit of rough language, slapstick violence. Janosz is under the delusion that if he forces himself on Dana, she will grow to love him.

My DVD came with two episodes of the cartoon, "Citizen Ghost", which explains why the Ghostbusters let Slimer hang around; and "Brothers in Slime" which references the psychoactive slime from this movie (calling Vigo out by name) even though the events of the second movie could not have happened in nearly the same way in the cartoon.

Overall, it's an okay movie with its major flaw being that it's a little bit too much of a retread. Maybe we didn't need sequels and remakes, but here we are. Consider getting it in a set with the original. And of course, recommended to fans of Eighties comedies.
skjam: Ghost cat in a fez (fez)
Ghostbusters (1984) dir. Ivan Reitman

The parapsychology department at Columbia University in New York City is small, consisting of three men. They are Dr. Peter Venkman (Bill Murray), Dr. Raymond Stantz (Dan Ackroyd) and Dr. Egon Spengler (Harold Ramis). While the other two are serious and dedicated paranormal researchers, Dr. Venkman as head of the department is treating it more as a scam, running rigged psychic experiments to amuse himself and hit on female students. Thus, even after an incident at the New York Public Library finally provides solid proof of the existence of ghosts, the department is shut down and the three expelled from the university.

Egon has come up with technology that will actually capture and hold ghosts, so the three men decide to enter the private sector as "Ghostbusters." A third mortgage produces enough capital for a rundown fire station, a converted hearse, unlicensed nuclear accelerators, and a television ad campaign. But of course, most people don't believe in ghosts, so the customers aren't rolling in. Cynical office manager Janine Melnitz (Annie Potts) doesn't have a lot to do.

However, one person in New York is about ready to believe in ghosts. Dana Barrett (Sigourney Weaver), a classical musician, found a portal to another dimension in her refrigerator. She contacts the Ghostbusters, but Peter does not find anything wrong in Dana's apartment, and just uses the occasion to hit on her. He reluctantly agrees to research the matter further. Meanwhile, Dana's neighbor, nebbish accountant Louis Tully (Rick Moranis), also has a hopeless crush on her.

The Ghostbusters' first publicly successful case is at a hotel, battling the rotund ghost we will come to know as Slimer (Ivan Reitman). This leads to other jobs, and soon the Ghostbusters have more business than they can handle, needing to hire a fourth man, Winston Zeddmore (Ernie Hudson). But this also attracts the attention of stupidly arrogant EPA agent Walter Peck (William Atherton) who is simultaneously convinced the Ghostbusters are pulling some kind of hoax and that they're violating environmental regulations. (He is technically correct on the second part.)

Egon realizes the surge of paranormal energy in New York City is not "natural"--there's way too much of it, and it's building up to something. That, it turns out, ties back to Dana and Louis, who are being targeted by the ancient Sumerian spirit Zuul to be turned into the Gatekeeper and Keymaster, who will open a portal and summon Gozer the Destructor (Slavitza Jovan) to bring about the next Age of Darkness.

Walter Peck abuses his authority to shut down the containment unit the Ghostbusters have been using to store the ghosts they've busted, unleashing a flood of supernatural horrors on the city, and making conditions ripe for the coming of Gozer. With the few people who could stop the menace in jail, who will save New York?

This supernatural comedy film took the old "ghostbusters" idea used in previous Hollywood movies and updated it for the then current day, with modern technology applied to the problem of catching ghosts. It had a solid cast of veteran comedy performers (and hot actress Sigourney Weaver) and didn't stint on the cool special effects. And of course, a very catchy theme song by Ray Parker, Jr. It's no surprise it did very well at the box office.

To repeat myself, the special effects were some of the best parts of the movie, and have generally aged well. This did mean that the budget was well above that of a normal comedy film.

The dialogue is heavy on the improvisation, and most of the humor hits, with many quotable lines.

Dr. Venkman's sleazy attitude towards women has aged less well. We are perhaps meant to see him as a more desirable suitor for Dana than the short and poorly socialized Louis, but it's not a fair comparison. Also, while Walter Peck is definitely in the wrong, Peter's snotty behavior did not help, and he doesn't follow up by contacting the EPA to have a more sensible conversation about that storage facility. Egon and Janine's budding romance in the background is much more likable.

Content note: Ray has a dream about being sexually assaulted. Lots of slapstick violence, none fatal to humans or animals. A bit of rough language. Casual smoking. Some jump scares. Guidance recommended for younger viewers.

This is a fun movie that stands up to repeated viewings. (I'm more nostalgic for The Real Ghostbusters, the animated series spun off from it.) Recommended to fans of Eighties comedy and special effects buffs.
skjam: Ghost cat in a fez (fez)
Nightmare Castle (1965) dir. Mario Caiano (original title "Amanti d'Oltretomba")

Jenny Arrowsmith (nee Hampton) (Barbara Steele) has always had fragile mental health, and has spent much of her life at the "clinic" of Dr. Dereck Joyce (Marino Mase). Recently, Dr. Stephen Arrowsmith (Paul Muller) arrived to inform her of the death of his first wife, Jenny's sister Muriel (also Barbara Steele) due to natural causes. Much to Jenny's surprise, Muriel has named her the heir to Hampton Castle and the family wealth. (She'd always assumed Muriel hated her given that the woman never visited or wrote.) A rather sheltered young woman, Jenny quickly falls in love with Dr. Arrowsmith when he shows romantic interest and they are swiftly married. Soon, she arrives at the castle as its new mistress, and is greeted by the coldly beautiful Solange (Helga Line), who is old-fashioned and has the mannerisms of a woman twice her age.

What Jenny does not know is that Muriel did not die of natural causes. Dr. Arrowsmith murdered his wife and her lover David (Rik Battaglia) when he caught them together. This was more of an excuse than a cause--Stephen had already planned to dispose of his wife to get control of her money for his experiments in immortality. (He's already managed to use his young wife's blood to rejuvenate his mistress Solange.) He found out too late that Muriel had changed her will to make Jenny the heir, and is improvising a backup plan.

That plan involves gaslighting Jenny into a full mental breakdown, but to the doctor and Solange's surprise, it looks like that won't be necessary since the first night in the castle she's having screaming nightmares and apparent hallucinations as well as missing time. Arrowsmith sends for Dr. Joyce to "help" but actually plans to get Dr. Joyce to sign off on returning Jenny to an asylum so that he can use the castle and money freely. Dr. Joyce is a bit more sweet on his patient than is strictly professional, and begins to smell a rat. Maybe what Jenny's experiencing isn't madness at all!

This Italian production was designed as a low-budget star vehicle for Ms. Steele, who was a hot genre film actress at the time. The double role allows her the chance to show off both her "innocent" and "wicked" acting styles. Muriel is the more interesting role, but Jenny has considerably more screen time.

The cut I watched had some sloppy editing, especially at the beginning. I suspect some cuts may have been made for the censors due to violence. The lighting is often murky, even in daylight scenes. This is also not one of Ennio Morricone's better scores.

There's some nice makeup effects and you can detect hints of Poe in the writing.

Content note: torture, dubious treatment of mental illness.

An okay horror film, but you might want to see Black Sunday instead if you are just here for Barbara Steele.

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