skjam: Man in blue suit and fedora, wearing an eyeless mask emblazoned with the scales of justice (Default)
Spider-Man (2002) dir. Sam Raimi

When perpetual loser teenager Peter Parker (Tobey Maguire) is bitten by a genetically modified spider during a school trip, he gains amazing spider-like powers. At first, his plan is to use these gifts for profit and to impress the girl he loves, Mary Jane "M.J." Watson (Kirsten Dunst). When a tragedy strikes that he could have prevented, Peter chooses to use his Spider-Man identity to save people and fight crime instead.

However, he's not the only person who has problems. Weapons designer Norman Osborn (Willem Dafoe) is on the verge of losing a major military contract because the performance enhancing inhalant that's supposed to go with his new flight suit and motorized glider has a few...side effects. Desperate to prove his product works, Osborn undergoes the treatment himself, only to fall prey to madness and become the Green Goblin. Legal methods don't seem to be working for him, so he decides to solve his problems with murder.

This 2002 movie was the first live-action Spider-Man film in decades, after previous efforts had died in production hell. Both budgeting and special effects technology had vastly improved since 1980, but CGI hadn't yet taken over, so many of the effects are practical, which is all to the good.

By this time, there was some forty years of Spider-Man comics to draw continuity from. Director Sam Raimi chose to retrofit M.J., by this point in the comic books Peter Parker's wife, and Norman's son Harry Osborn (James Franco) into Peter's high school life as his unrequited crush and one friend respectively. Genetic engineering had become the new hotness, so a spider combining several features to give Peter the various powers (and organic web-shooters) was the new origin mechanism. (It's mentioned that some spiders can change color to blend in with their surroundings, but this wasn't used for a Spider-Man character until nearly a decade later when the Miles Morales version was created.)

Uncle Ben Parker (Cliff Robertson) and Aunt May Parker (Rosemary Harris) are in the classic mold as an aging couple who have raised their orphaned nephew with love but not a lot of money. Though Peter rebels against Uncle Ben's well-meaning protectiveness, they very much love each other, and Uncle Ben's death greatly affects Spider-Man's outlook. "With great power must come great responsibility."

The Green Goblin story is much more changed to reflect various retcons that had been put in place since the original comic books were published, and to make it fit in a two-hour movie that also had to include Spider-Man's separate origin story. Norman Osborn isn't a pleasant person even before he develops powers. He seems to mean well, but is neglectful of Harry and often is condescending towards his son and undercuts him. Plus, he's willing to take dangerous shortcuts to get his products sold. The Green Goblin persona is in some ways just Norman without filters or boundaries, but deliberately cruel rather than carelessly callous. Willem Dafoe does a good job of being, as Al Yankovic put it, "scarier without the mask on."

J.K. Simmons is a delight as bombastic newspaper publisher J. Jonah Jameson, who hides his small basic decency behind a thick layer of cheapness, sensationalism and ego. "I resent that. Slander is spoken. In print, it's libel." Bruce Campbell has a bit as a wrestling announcer. And of course there's a Stan Lee cameo. Oh, and Macy Gray makes an appearance because she was huge in 2002. (Remember when she was a Neopet?)

There are many iconic quotes and moments here (kissing upside down in the rain!) That said, some of the transitions feel a tiny bit empty, a quick jump to fit all the plot bits in and hoping you won't notice the holes where Peter's other life happenings are missing.

Still, this is the movie I'd choose to show someone who wants to know who Spider-Man is in just two hours.
skjam: from Heavenly Nostrils (Unicorn)
Doctor Strange (2007) dir. Patrick Archibald

The world you see is not all there is. Monsters roam the streets of New York, smashing and killing their way to a point called the Sanctum. Opposing them are the disciples of the Ancient One, wizards and sorcerers who conceal their activities from the world with simple spells. There are those, however, who have the gift of seeing magic and the hidden truths of the world. One of them, only beginning to realize it, is Doctor Stephen Strange.

Dr. Strange is one of the world's most gifted neurosurgeons, and he knows it. But since the death of his younger sister, Stephen has grown cold-hearted, only concerned with earning fame and money by treating difficult cases. It's not that he doesn't want to heal people, he just feels that there are doctors who are better suited to handling charity cases and ordinary ills, and he shouldn't be bothered. The glimpses he's seen of things that should not be he shrugs off as daydreams caused by overwork.

Under pressure from the hospital administrator, Stephen finally goes to consult with a colleague working in the coma ward. She's got what looks like an epidemic of kids in comas. Stephen doesn't do pediatrics, but this is interesting based on what's happening in their brains. When he touches one of the children, he shares her nightmare of a burning face, one that all the children had before they went comatose. Shaken, he refuses to help.

Still disturbed by his recent visions, Dr. Strange drives recklessly, and when he sees what appear to be ghostly children in the road, he swerves to miss them and winds up crashing. Stephen lives, but his hands are smashed, and there is subtle nerve damage. He refuses to consider not being a brain surgeon, and rapidly spirals into a cycle of seeking out ever more unlikely cures and draining his funds. At last he is broke and homeless, still unable to properly use his hands. At this point, Stephen is contacted by a man named Wong, who tells him that "healing" is available in Tibet.

After a perilous journey, Dr. Strange arrives at the monastery of the Ancient One to begin rethinking his life, not yet realizing that the "healing" spoken of was not merely his hands. Meanwhile, the disciples of the Ancient One continue to go out to fight the monsters of Dormammu, but fewer of them return each time. Field leader Mordo believes that the Ancient One's too conservative about tactics and that this should be treated with a warrior (himself) in charge. He too has misunderstood the Ancient One's intentions.

This Lionsgate animated movie has strong similarities to the later Marvel live action film about Doctor Strange. When Stan Lee and Steve Ditko created the character in the early 1960s. the initial origin story was a handful of pages that could have easily fitted into a half hour program. So quite a bit of detail created for later stories is added to fill out a more substantial run time. And since Stephen doesn't come into his powers until well into the story, a number of fight scenes involving mostly interchangeable other disciples are added to keep interest up.

It's easy to empathize a bit with Mordo. The Ancient One has known all along that Mordo will turn against him to work for Dormammu the moment he learns he's not going to be the Sorcerer Supreme, so has allowed his disciple to think he's in the running for that position for years while the Ancient One waited for his true successor (Strange) to come along. I'd be ticked too if I had worked my butt off for my entire adult life on a vague promise of promotion only to be discarded for some new guy who just started training a few months ago. On the other hand, Mordo's rotten attitude makes it clear to everyone around him that he's not a good leader, spiritual or otherwise. The far more experienced Wong is much more philosophical about the fact that he's topped out in his sorcerous occupation.

The art is okay, but I'd have liked more homage to Ditko's trippy visuals that made the early Dr. Strange comics so appealing. The voice acting is okay, but uninspired. Stephen's female colleague is especially feeling phoned in. The disposable disciples get a bit more oomph, but little to do with it as the story doesn't bother giving them personalities, just nice visual cues.

And Dr Strange is given an extra power he doesn't have in the comics to make it plausible that he and he alone can stand against the dread Dormammu.

It's an okay movie, but it's easy to see why there wasn't a direct sequel or a rush of interest in the character.

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