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Clueless (1995) dir. Amy Heckerling

Cher Horowitz (Alicia Silverstone) is popular, pretty and well off, which is important if you attend high school in Beverly Hills. Her father Mel (Dan Hedaya) is a prominent litigation attorney, but Cher's mother passed in a tragic liposuction accident when she was little. There was a short remarriage for Mel, but it didn't work out and the only reminder of it is that Mel bonded with temporary stepson Josh (Paul Rudd), who's now moved closer by to attend college. Josh and Cher don't get along, but mostly tolerate each other for Mel's sake.

Cher isn't much for book learning, but is good at persuasion and negotiation and her heart is in approximately the right place, as seen in her poorly prepared but heartfelt debate performance on welcoming refugees to the United States. When her attempt to raise her quarterly grades via negotiation hits a snag in the person of grumpy teacher Mr. Hall (Wallace Shawn), Cher comes up with the idea of convincing him and lonely social studies teacher Miss Geist (Twink Caplan) that the other likes them and they should consider dating.

This matchmaking attempt works, Mr. Hall's improved happiness makes him amenable to a grade raise, and the entire student body benefits from the sunnier atmosphere. A win-win situation, and Cher learns that doing good feels good, so sets out on her next project, a makeover for dorky new student Tai (Brittany Murphy). That goes well at first too, initially.

But the bitter truth is that not all problems can be solved with negotiation. Sometimes you don't get what you want, and there are people who are simply unpersuadable. Cher's going to learn some sad lessons and have a less good time before a happy ending can be reached.

This romantic comedy is loosely based on the novel Emma by Jane Austen, with a setting change and making the main character and her social group teenagers. It did very well with young audiences, and spawned a television series.

Cher's a fun character. She's bright-spirited, funny, and trying her best. Unfortunately, her self-absorption (not selfishness) and failure to understand the actual personalities of the people she's trying to matchmake often get in the way of her good intentions, and she behaves carelessly (like driving without a license) because she assumes she can talk her way out of trouble.

In some ways, this is very much a movie of its time. Nineties music and fashion is dominant, for both good ("Kids in America") and ill (extra-baggy, saggy pants for boys). 2020s teenagers watching this movie for the first time might not realize that most of the high school students having cell phones is meant to show how rich and spoiled they are. (A good old-fashioned payphone comes in handy at one point.) Also, Cher has a personal computer which she uses...to check her wardrobe for good matches.

Content note: There's a couple of glimpses of girls in underwear, and some of the outfits are risqué. There's sex talk and jokes, and two of the underage characters are mentioned as having lost their virginity. Underage characters smoke and drink, and there's reference to illegal drugs. A boy tries to force himself on Cher and reacts badly to rejection, tossing her out of the car, after which she's mugged (no physical violence.) Tai is (jokingly?) pushed partway over a high place's railing. One of the characters is revealed to be gay, and another is heavily assumed to be a lesbian due to stereotypes. While Cher is not ever shown to be racist, she does show ethnic insensitivity (and is properly anguished when that's pointed out) and uses an ableist slur for herself. Parents of younger teens might want to screen it first.

Overall, a fun movie, and I suspect I would have liked it even more if I'd been in the target audience in the 1990s. Older teens who like the Marvel movies might find Paul Rudd's performance especially interesting.
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Desk Set (1957) dir. Walter Lang (aka "His Other Woman")

Back in 1957, if you needed the answer to a question, you couldn't just go on the internet. You had to look in a book, or ask another human being to look for you. That's the job of the four women in the Research Department at the Federal Broadcasting Network. The team is led by Bunny Watson (Katherine Hepburn), a woman of prodigious memory and superior research skills. She's in a long-term relationship with her manager, Mike Cutler (Gig Young). One day, the women are surprised to have a visitor, "methods engineer" (efficiency expert) Richard Sumner (Spencer Tracy). He's very vague about why he's here, but spends a lot of time measuring things, doing psychological evaluations, and asking questions about the Research Department's operations.

Bunny and Richard find each other intriguing as they get to know each other. This happens at the same time as Bunny is becoming disillusioned about Mike. It's been seven years, and she still has to be on tenterhooks whether he'll invite her to a dance or not, while Mike seems to expect her to be ready to drop everything when he needs her. Richard isn't taking her for granted. On the other hand, the office grapevine suggests that he's there to prepare to have the entire Research Department replaced with an electronic brain, EMERAC.

The day comes, and everyone in the Research Department gets a pink slip! Is this truly the end of Bunny's job, let alone her love life?

This silly romantic comedy is named in relation to the "jet set" or "smart set." It reflects a very different office culture from the present day, even discounting the lack of modern machinery (they don't even have a regular TV in there!) No one bats an eye at intra-office affairs, the imposition of "no smoking" areas is a hassle, and booze flows freely at the office Christmas party. Oh, and apparently the stage play it was adapted from was based on a real life CBS employee.

Tracy and Hepburn are a delight as a blossoming couple, as you might have guessed. (This was a change from the stage version, where Richard and Bunny are not romantically involved, despite Mike's fears.) Mike isn't a bad fellow, really, but not a good boyfriend. He's been happy with a "no strings attached" relationship but hasn't checked in with Bunny to see if that's what she still wants, and when he finally pops the question, it's with a deadline of "tomorrow" to match his needs, not hers.

There are also good supporting characters. My favorite was Ida Wells as a little old lady who silently wanders around the building as though she owned it. The person who I feel sorriest for is Miss Warriner (Neva Patterson), the operator of EMERAC. She doesn't "get" sarcasm, is very fussy about rules, and her best relationship is with "Miss Emmy". The research workers treat her with (understandable) suspicion and hostility, and abandon her when they think they've been fired. Since she was never meant to replace them, she can't do their jobs.

For comedy purposes, EMERAC is both more advanced and more vulnerable than real computers were at the time. Having a bright red switch with the sole purpose of making EMERAC malfunction is poor design. I notice that EMERAC's parts got used for several other movies and TV shows whenever a panel of flashing lights was needed to show a computer operating. IBM can be proud.

This was a fun movie to watch, and should be suitable for junior high viewers on up, though you may need to look up some stuff on the internet like what "floating island" is. Recommended to romantic comedy fans who don't mind that the details are "of their time."

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